Banca de QUALIFICAÇÃO: JULIO CESAR SILVA OLIVEIRA

Uma banca de QUALIFICAÇÃO de MESTRADO foi cadastrada pelo programa.
STUDENT : JULIO CESAR SILVA OLIVEIRA
DATE: 30/04/2021
TIME: 09:00
LOCAL: Sala Virtual - https://meet.google.com/vdc-qnuz-ezn?hs=224
TITLE:

GESTATIONAL ART: SOCIAL REPRESENTATIONS OF WOMEN WHO EXPERIENCE THIS EXPERIENCE

KEY WORDS:

Nursing. Pregnant Women. Psychology, Social. Art.

PAGES: 69
BIG AREA: Ciências da Saúde
AREA: Enfermagem
SUMMARY:

The Gestational Art of Maternal Womb Painting is an artistic and therapeutic technique used to represent the imaginary baby and attachments of pregnancy, like the placenta and the umbilical cord. In this sense, the study has as the object the social representations of women that experiencing the painting in their maternal womb. As an objective: To understand the social representations of pregnant women about the realization of the gestational art of the painting the maternal womb. This is a qualitative, descriptive and exploratory study, based on the Theory of Social Representations, carried out with pregnant women assisted in prenatal care in health basic units in the city of Maceió / AL, Brazil, obeying the inclusion and exclusion criteria. The information was produced from a semi-structured interview in two stages, the first to characterize the participants and the second, after performing the technique of painting the mother's womb, to understand the social representations facing this experience. The study was carried out from October / 2020 to March / 2021, after approval by the Research Ethics Committee of the Federal University of Alagoas, under CAAE: 23846619.1.0000.5013. For data analysis, the content analysis method was used, from the perspective of Laurence Bardin. As parcial results, two thematic categories emerged: “Generating the imaginary baby: a continuous process based on anchoring and objectification…” and the category “The experience of Gestational Art of Maternal Womb Painting”, the first discourse in the subcategories “I wish to do the painting ”; “Dreams and feelings that reveal”; “Transforming the inaccessible into 'familiar/near'’” and the second in the subcategories “Social Representations about womb painting for the being ‘pregnant women’” and “Social Representations of the experience of Gestational Art”. Finally, the study brings as partial considerations feelings and aspirations unveiled by women during pregnancy and identified the potential of gestational art in promoting the bond between mother and baby, as well as between family members and health professionals.

BANKING MEMBERS:
Externa à Instituição - JÚNIA APARECIDA LAIA DA MATA - UFRGS
Presidente - 2731160 - AMUZZA AYLLA PEREIRA DOS SANTOS
Externa ao Programa - 2582351 - JULIANA BENTO DE LIMA HOLANDA