Banca de DEFESA: GABRIELA COSTA MOURA

Uma banca de DEFESA de DOUTORADO foi cadastrada pelo programa.
STUDENT : GABRIELA COSTA MOURA
DATE: 26/05/2023
TIME: 14:00
LOCAL: PPGLL online - Meet Google
TITLE:

THE FIRST NAME "CHICO BUARQUE THE DISCOURSE OF RESISTANCE

KEY WORDS:

Chico Buarque. Proper name. Meaning effects. Resistance. Speech event.

PAGES: 112
BIG AREA: Lingüística, Letras e Artes
AREA: Lingüística
SUBÁREA: Teoria e Análise Lingüística
SUMMARY:

 

 

The 1964’s Civil-Military coup in Brazil constituted a severe and abrupt stoppage in the construction of a democracy process and therefore produced the silencing of many voices. As from january 24th of 1968 every cultural and artistic production begins to be regulated by the AI-5. In that context, any kind of expression against the State was forbidden. The meanings were censored, silenced, excluded, so that they would not move the obvious. "Chico Buarque" was part of a generation of MPB (Brazilian Popular Music) composers that embraced a more popular place of speech: the songs began to take on the body of an engaged politics, within the university movements. The political voice of "Chico Buarque" demonstrated a revolutionary element in the artistic production produced at that historical moment. Chico creates and produces music of resistance, in an attempt to dodge censorship when he changes his name, using a heteronym: 'Julinho da Adelaide'. With this strategy, some song lyrics passed through censorship without major problems. The songs by "Chico Buarque" were banned only because they bore his signature. Nowadays, his songs have been rescued and updated in the discursive memory in the latest Brazilian electoral disputes. We can identify the discursive memory causing a movement of meanings proper to the production of "Chico Buarque". In this doctoral thesis the main objective is to demonstrate how the proper name "Chico Buarque" constitutes itself as a discourse of resistance that operates in the political actuality of Brazil. The corpus of this thesis has a precise cut: songs from the time of the Brazilian civil-military dictatorship. The theoretical-methodological foundation that underlies this work is the Pêcheutian Discourse Analysis, with support in historical materialism and articulation with Lacanian psychoanalysis. "Chico Buarque" sang the resistance yesterday. "Chico Buarque" sings the resistance today because his music is to be read today, because it is the expression of a protest that is renewed in Brazil today, because it is a discursive event. Michel Pêcheux teaches us that the discourse of resistance is the result of the process of domination in class society. Where there is domination, resistance is ipso facto. Chico Buarque's songs resurface as protest and resistance songs to mark a historical moment of struggle, of refusal to the conservative discourse. Just as Marx enables us to think that the revival of the songs today would be to rescue, to borrow a war cry and to update a past.

Key words: Chico Buarque. Proper name. Meaning effects. Resistance. Speech event.

BANKING MEMBERS:
Presidente - 1119849 - MARIA VIRGINIA BORGES AMARAL
Interno(a) - 2534411 - HELSON FLAVIO DA SILVA SOBRINHO
Interno(a) - 1695781 - SÓSTENES ERICSON VICENTE DA SILVA
Interno(a) - 3145736 - DEBORA RAQUEL HETTWER MASSMANN
Externo(a) à Instituição - MARIA RACHEL FIUZA MOREIRA - Tiradentes
Externo(a) à Instituição - FABIANO DUARTE MACHADO - IFPI
Externo(a) à Instituição - SAMUEL BARBOSA SILVA