Banca de DEFESA: ANDRE LUCAS GUEDES DE SOUZA

Uma banca de DEFESA de MESTRADO foi cadastrada pelo programa.
STUDENT : ANDRE LUCAS GUEDES DE SOUZA
DATE: 25/04/2022
TIME: 14:00
LOCAL: videoconferência pelo Google Meet
TITLE:

Catfish: The TV Show and the actuality of the Sex Comedy.

KEY WORDS:

Comedy, Psychoanalysis, Technology, Love.

PAGES: 128
BIG AREA: Ciências Humanas
AREA: Psicologia
SUMMARY:

Reality shows are one of the main products of the entertainment age. Beyond the television frame, such programs move the social imaginary on social networks and, consequently, outside of them, gaining a continental scope from what happens throughout each bURadcaVW eSiVRde. ThiV VWXd\ fRcXVeV Rn an eSiVRde Rf Whe UealiW\ VhRZ ³CaWfiVh: The TV ShRZ´ ZhRVe Wheme iV fUaXd in digiWal relationships. From the suspicion that he is dating a fake profile, the participant contacts the presenters to find the profile user. In this journey through the meeting of the digital partner, a question is asked throughout the episode: Is the profile of this person I'm in love with fake or real? Question that addresses the research work of this study. In order to investigate love in nowadays, we highlight the comedy of the sexes in digital relationships from this program. What does Catfish The TV Show teach us about the comedy of the sexes in digital relationships? Based on the dialogue between psychoanalysis and studies on the status of the contemporary image, the anamorphosis of the researcher's gaze was used as a methodological operator in the treatment of the research object. The comedy of the sexes that links the love experience in Catfish questions the relationship between technology and the subject of the unconscious, placing the effect that technological objects produce on the experience of contingency as an ethical dilemma. The promises of digital life are intertwined with the experience of love, making it not only the result of a common malaise in the relationship with the other, but a hole in the very logic that the digital space partially realizes. Thus, the love mismatch in Catfish shows that the dance of love is intertwined as an experience contrary to the order of capitalist discourse, circumventing the promises of digitalized life.

BANKING MEMBERS:
Externo à Instituição - AMADEU DE OLIVEIRA WEINMANN - UFRGS
Interno - 1518411 - CHARLES ELIAS LANG
Presidente - 1560350 - SUSANE VASCONCELOS ZANOTTI